Discover Ireland #4 : Autumnal Dawn

As we slowly slink into the Autumnal slipstream that is September, the shimmering haze of Summer (what Summer?) is being bellowed by a blaze of feelgood tunes, keeping our spirits up and the cardigans at bay for just another wee while.

Summer is the season for all things Pride and to their credit, Cork four-piece The Elation teamed up earlier in August with Cork Pride to produce a fantastic charity single, Feels Like A Good Reason To Get Started.  All proceeds made from the sale of the single go directly to the Cork Gay Project.

The track, which was produced by London-based Andy Whitmore (MN8), is the kind of indie-pop fusion The Elation has down to a fine art. Guitar driven Summery rock is given the pumping disco beats treatment to create a blue-skies radio-friendly, bright nights dance floor filler. With its rousing chorus and compelling beats, this blaze of indie glory channels just the right mix of pop sensibilities to make it appeal to music lovers of all shapes and shades.

The Cork Gay project is still ongoing so please, if you haven’t already dipped into your sticky pockets, you can still donate on a very Radiohead-esque ‘pay what you want’ basis over on the guys’ Bandcamp space. ‘Feels Like A Good Reason To Get Started’ is also available via the usual digital channels. Watch the accompanying video, shot on location in Cork city, here. DerVerdict – You know what you need to do!

The Elation is about to hit these Munster venues running so get in early to reserve your air space.

Unless you’ve been living on or under Fraggle Rock, you can’t have failed to notice much-media-ado about everything to do with a certain album launch.

Fka Ireland’s next big thing, Picture This are indeed now just that … the big ticket act that everyone wants to see, a point proven by the speed with which their upcoming lives at the 3 Arena sold out. Their eponymous debut album went straight in at #1 in the Irish album charts, no mean feat for a duo that set up shop via Facebook only two years ago.

The impressive rapidity with which Messrs Rainsford and Hennessy have become ‘a thing’ in contemporary Irish popular music culture is predominantly down to the relatability of their songs and normality of their personas.

Picture This are two normal lads who with nothing to lose, just bloody well went for it. And got there in a mind-bogglingly short space of time, propelled by the goodwill of an exponentially expanding fanbase who saw in the Kildare duo and their lyrics, reflections of their own lives.

At the core of their critical success are two things – their stirring, perfectly choreographed melodic arrangements and their incisive illustrations of youth-life in small town, post-recession Ireland.

The Picture This promotional tour will take them to the US in September before they return to these shores to play Belfast end of October followed by the two sold-out Dublin shows. The album Picture This is out now on all platforms. DerVerdict – 4.5/5 – A Must Buy!

Speaking of ‘big things’, Dublin trio The Script have just returned with their fifth album, Freedom Child.

Looking lean and mean at their recent secret gig in The Stadium (we share the same trainer but I obviously like my food more) the Dublin lads teased tracks from their new album to an uproarious crowd (we saw the ‘stories’ on IG!) which undoubtedly augured well for its release.

With more political leanings than its predecessors, Freedom Child is a bit of a musical mixed bag. While there are some artfully conceived pop flourishes and lush rhythmic beats with swatches of reggae-esque underlay, the heavy EDM elements at times feel a bit laboured.

Thematically, the boilerplate love/hate, when love breaks down, relationship schemas which are the stock in trade of The Script are all there, interwoven with musings on terrorism and bullying.

Rain is the kind of Latino-hip pop you might expect to find on an Enrique Iglesias compendium whereas notwithstanding its quirky lyrical content, Mad Love with its super cool beat, is classic Script. Stand out track of the album is undoubtedly Arms Open which sees frontman Danny Donoghue vocally reign supreme. A song in the mould of The Man Who Can’t Be Moved, this is The Script lyrical tendresse at its best. If you’re going to see them on their current tour, this is going to your arm waver, phone blazer of a track.

With more high points than low, overall this is a solid production by a band who like to experiment and more importantly have a bit of fun while doing so. While there’s enough vintage Script in here to keep the legions happy, there’s also plenty of fun flava to pick up newbies along the way. DerVerdict – Do It.

Irish brothers Cillian and Lorcan Byrne are the duo behind brand Basciville. Serving up RnB/Folk fusion, with a side of orchestral is their house speciality and judging by the reaction to their latest single, Diving Hour, it’s going down a treat with their ever-growing audiences.

Hailing from Wexford, the pair grew up in a rural idyll famous for its laid-back tranquility; a world that has become increasingly swept up in the fast-paced freneticism that is our modern, everyday multi-gadgeted and faceted life. By taking modern instrumental sounds, samples and styles and arranging them with careful precision into pastoral settings, Basciville orchestrates an enchanting transcendence, or musical time-lapse if you will.

Basciville has created a unique far-away utopia, and situated it right at the heart of our urban decay. Forget your stressballs, lavender pillows and mindfulness apps. Download their tumbling orchestral sequences and floating melodies to set your mind at zen o’clock.

Notwithstanding its silvan themed video, Diving Hour would make the perfect soundtrack for a maritime visual. Watch the accompanying film in all its verdant glory below.  Basciville are about to head out on a nationwide tour (full details on Facebook).

Nationwide Tour Dates – Tickets available at Ticketmaster & box offices.
Weds Sept 27th : Roisin Dubh (upstairs) – Galway
Thurs sept 28th: The Workmans Club – Dublin
Fri Sept 29th: The Roundry – Cork
Sat Sept 30th: Dolans (upstairs) – Limerick
Sun Oct 1st: DeBarra – Clonakilty

Wild Youth is Callum McAdam, Ed Porter, David Whelan, and Conor O’Donohoe, four Dublin lads at the start of what’s promising to be an adventurous journey.

Ahead of the release of their second single Lose Control, the band has dropped the accompanying video which features top Irish model Thalia Heffernan and her Dancing with the Stars boyfriend, Ryan Mc Shane. These two hot steppers sure let off some very sexy steam during their superbly choreographed flirtation around late night Dublin.

With it’s infectious vocal, lush, tantalising melodies and gyrating beats, this song is the perfect antidote to the cooler temperatures of late Summer/early Autumn. It shouts bright lights, late nights and lots of fun. Now who’d argue with that?

Lose Control is released Friday 8th September. Wild Youth will headline the Grand Social on Friday 22nd September. Tickets here.

IN OTHER AUTUMNAL NEWS …

Post her rave stint at EP, Beeb DJ Annic Mac is just one of the several on-trend dance acts that due to pitch up at Weston Airport later this Autumn for the new-look Samhain Festival. She’ll be joined in Hangar-land on Saturday 28th October by beatmasters Kelly Anne Byrne, Eats Everything and Belgium’s finest, 2ManyDJs. Sunday 29th will see The Strypes perform tracks from their new Spitting Image album before former Oasis front-man Liam ‘as you were’ Gallagher takes centre-stage. Tickets €49.50 from Ticketmaster.

Rumour has it that a batch of Irish newbies are shaping up to drop their debut albums in the not too distant months ahead. One such group is Otherkin who are set to release the not so cryptically entitled OK on 29th September. To promo its release, the band are heading out on tour, starting with a 7-night UK run as special guests of InHeaven which will  be swiftly followed by an expansive headline tour that will see the boys take in a raft of British and European dates. The tour will wrap on 15th December at Dublin’s Button Factory – now that’ll be some sesh!

Full details plus links to pre-order OK here. (Oh and hint hint – fans who pre-order will receive four instant grat tracks). Now there’s an incentive to buy-in if ever I saw one!

AND FINALLY, THE BIG ONE!

Here it is folks … the first single from the upcoming U2 album Songs of Experience.

You’re The Best Thing About Me follows the surprise drop of teaser track The Blackout and leads the way for the Irish rock legends’ 14th studio album, Songs of Experience the second of a two-part album series.

Following Songs of Innocence which documented U2’s childhood experiences through the late 1970s into the early 1980s, the new album takes the form of intimate letters written by Bono to people from within his inner sanctum like family and close friends as well as to those outside, including fans. Most interestingly it includes missives to himself.

Where The Blackout had direct sonic references to 90’s platinum selling Achtung Baby, You’re The Best Thing About Me is a tangible continuum of SoI in both look and feel, although traces of Edge’s riffs recall the haunting guitar playing of Bad (The Unforgettable Fire). There are no prizes for guessing the subject(s) of the song as it’s clearly yet another homage to his wife of over 35 years and their long-standing relationship.

Songs of Experience will be available on CD, vinyl and digital download, with the release date and pre-order details to be announced soon.

Check out the funky lyric video for the new single here!

As usual we’re signing off with an accompanying Spotify playlist. Unfortunately, as Wild Youth’s track isn’t on release for another few days, it’s not included. However, as soon as it is available, we’ll add it in. Cheers, DervSwerve x

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Random Acts of Music #2 – A BBC 6 Music ‘Fluenced Playlist

Susanne Sundfør

In this second ed. of Random Acts of Music we’re taking our lead predominantly from serious music influencer and doyenne of experimental electronica and idiosyncrasy, the dulcet-toned MaryAnne Hobbs. To spice things up and keep it diverse, we’ve also lobbed in a few choice cuts from across the 6 Music Board.

Just in case you missed our first New Music Playlist #NMP, you can check it out later by clicking this link.

Today’s playlist is somewhat submerged in dense, dark soundscapes at points tinged with glistening moments of ethereal brightness. There’s an almost religious, definitely spiritual quality to some of the tracks; to counter the celestial and bring things back down to earth, we’ve included some extremely earthy and very meaty animalistic vibes.

Full Spotify playlist at the end of the post.

Photo : BBC 6 Music

Starting off the latest Recommends playlist is Aphex Twin with Umil 25-01, just one of a bunch of tracks the electronic Gandalf has uploaded out of the blue. Originally dropped as a bonus track to follow the release of ‘Orphaned Deejay Delek 2006-2008’, it’s a meandering snake of a tune peppered with sharp percussive hits. You’ll find this amongst others over on the Irish-born Englishman’s label home Warp.net. Check it out.

Walking a completely different sonic path is Berlin based musician Martyn Heyne whose magical guitar-work adorns expansive, visceral soundscapes.

Latest single Carry teases a new album due out later this year on the newly established 7k label. Speaking of his own personal interaction with music Martyn offers “For me the only way to discover something new in music is to listen without any preconceptions as to what it is. No expectations at all”. Sound advice.

August Rosenbaum is a Danish composer whose innovative compositions are currently taking music industry and media types, as well as fans by storm.  If music could be described as a luxuriously adorned celestially beauty, Credo is it. Or if you prefer your analogy a little more Italianate in a futuristic Renaissance kinda way – in the Dane’s own words – “Imagine an altar boy stepping forward to sing at an Italian church mass in 2050”.

Credo is Lifted from the August Rosenbaum album ‘Vista’ due out on November 24th on uber-hip, Danish independent record label Tambourhinoceros. If the two single releases provide a vista of what is yet to come on the full length, we can look forward to something pretty special! (Check out lead track Nebula – a ‘poignance’ of strings set afloat on a sea of all consuming darkness).

Another track that could easily have been recorded in the shadowy, nocturnal darkness of a marble-lined Gothic cathedral is Mountaineers, the Susanne Sundfør single featuring the illustrious John Grant. The Norwegian music artist recently signed to the Bella Union label for whom she’ll play an intimate album launch in London’s Courtyard Theatre on 22nd August (see poster for details).

Mountaineers is to music as Villette was to literature, and like the Bronte novella, there is something almost preternatural in its power.

It unfurls, largo, with Grant’s potent plain chant vocal lingering long on a brooding thrum, creating frissons of tension and mystery. Into Grant-created darkness comes the light of Sundfør’s magical vocal. Like a gentle hand soothing a troubled soul it adds an uplifting and bewitchingly ethereal texture as it majestically whips the melody up from Hades to Heaven.

Susanne Sundfør will be interviewed on Monday 14th August by Radcliffe and Maconie for 6 Music. Programme start time 1pm GMT. Her latest album Music for People in Trouble – from which Mountaineers is lifted – is due for release on 25th August. Susanne’s first on Bella Union, it is currently available to pre-order here

The MfPiT promotional tour kicks off in Helsinki on 12th September with a pitstop in London on 2nd October and one in Dublin five days later on 7th.

Speaking of heaven and higher highs, Midnight the new single from Jessie Ware, is a delicious R&B redemption from the Gothic froideur of its Playlist predecessor.

Earthy, sensual, seductive, its the perfect vehicle for Ware’s powerful honey-textured vocal. One minute it’s gliding recklessly over undulating synth lines, the next storming through a stomping piano riff, the temperature of Ware’s vocal matching the rising heat of the lyrics.

A taster of her as yet untitled upcoming album due later this year via PMR/Interscope, Midnight is an audacious ode to risqué love with a searingly hot, rhythmic pulse.

From hot blooded carnal pulses to ‘junglesque’, tribal ones. Listening to Pact Infernal‘s Purification is like crawling blindfold through a dark echo chamber surrounded by an invisible audience of strange sounds. The highly charged atmosphere is laced with intrigue, and shaded with a touch of terror reminiscent of ‘what danger’s lurking in the jungle?’ film-scenes.

Purification is the opening track on the duo’s debut ‘concept’ album Infernality which is on release via the Horo label and was “written to invoke a tribal ritual of the mind“. It’s deep … mineshaft deep.

Keeping the textures deep and immersive, we move onto Leaving the Park from Brookly-based Daniel Lopatin aka Oneohtrix Point Never. Another tune from his score for the film GoodTime it’s due out on Warp on 11th August.

An intensity of frantic squiggles and streaks of noise rush through a booming darkness in a sound that strangely feels both expansive and claustrophobic.

It’s certainly immersive, drawing you into its spiralling galaxy. Innovative expression of chaotic emotion, Leaving the Park has a back to the future feel as it references Tangerine Dream in the most post-modern of ways.

American multi-instrumentalist wonder-woman Kaitlyn Aurelia Smith has as fuller diary than most, with a prolonged stint of festival and island hopping pencilled in, starting with a slot at prestigious Øyafestivalen in Oslo on 11th August.

Finnish Flow Festival (try saying that with a mouthful of peanuts), plus dates in Sweden, France and Poland follow, as well as a mid-Winter gig in NYC that will see her showcase her upcoming album.

Kaitlyn played the Nils Frahm festival in London last year where per that flaxen mistress of the decks, she “enchanted the room“.  The inventive and far-seeing electro-experimenter continues to enchant with An Intention, the first taster of her new album entitled The Kid which is due out on 6th October.

There are similarities of sorts with Welshwoman Kelly Lee Owens – both artists push and stretch boundaries oft’ beyond their ‘comfort zone’; they both also favour a fusion of existential synths and breathy harmonies.

The apparent effortlessness of Smith’s art belies the perfectly arranged elements that furnish her imaginative electronic habitats.

Full details of her tour schedule and album release can be found on Smith’s website.

 

Four-piece Grizzly Bear who hail from Brooklyn, NYC, have just dropped single Neighbors taken from their upcoming album Painted Ruins which is due out on the Columbia label on 18th August.

When they finish live-love-bombing New York’s clubs, they’ll be hitting my home town, where they’ll pitch up at Vicar Street for a double date on 4th/5th October with Finn-Dane super-group Liima. UK and Euro dates follow – details on their FB page.

Photo Tom Hines

Possibly the most touchingly beautiful and warmly endearing song on this playlist, Neighbors is the fourth release from the bands first long player since their 2012 album Shields. It’s as mellow as the dawn glow with a caress more tender than a gentle breeze.

Blending swatches of folk, indie and electronic, the track flows across lines of heaving synth, warm-textured ‘horn’ samples and tight circular guitar riffs. The understated vocal complements the carefully produced union of organic and electronic.

You can watch the rather quirky but really entertaining visual accompaniment to Neighbors here.

For the next track, what we wanted to bring you and what we can bring you are unfortunately two different things. What we wanted to include here was the Andrea Belfi remix of the Dead Light track, Sleeper. However, as it’s currently unavailable in any format other than MP3, that isn’t a playlist runner.**

A huge favourite of Ms. Hobbs, drummer Belfi has re-imagined the short, soul-stirring Sleeper, weaving inspired rhythm patterns into its minimalist fabric.

Belfi’s percussive choreography is akin to expressionist or freeform dance. Vital, expressive, uninhibited and provocative – it enlivens and reshapes, bringing new textures to the surface of what already was an incredibly captivating composition. Bravissimo.

Sleeper (Andrea Belfi Remix) is one of four brand new mixes due out on 25th August on the Village Green label but can be pre-ordered here.

**On the playlist we’ve included Sleeper in its original format and an Andrea Belfi solo track, Lead (percussive shades of Sat in Your Lap).

The Spotify gods are not being kind to DervSwerve just now, as lo, we’ve been struck down with déja vu yet again, as the track we wanted to feature hasn’t been uploaded. No matter, we’ll pluck another from the heart of the Blondes catalogue.

Blondes are a two-piece based in NYC who are set to release Warmth their first album on the R&S label. The track we wanted to bring you was MRO* but the only track available to us just now is KDM, which at just under 6.50 is one helluva #tuunne.

Warmth Artwork

It’s the type of track where using the word trance would be apt as the groove is all rather heady and hypnotic. Pulsing rhythms beat into layer after layer of synth trance but it’s in the overall packaging that the genius lies.

There’s an underlying graininess and almost deliberately unpolished edgy rawness to their skilfully arranged, idiosyncratic production.

Warmth is due for release on 11th August but can be pre-ordered here.

*As of 11th August, MRO has been added onto the RAoM playlist

 

Our penultimate playlist entry is from an old hand under a new guise. Purl trading under the Illuvia moniker brings us the delicious Surrounded. To quote from his bandcamp page …

Music as a doorway to the Eternal – Welcome. My name is Ludvig Cimbrelius and I create music, endlessly … it is a language capable of expressing some of the vast depths of beauty that resides within us all.”

How absolutely wonderful is that?

Equally wonderful are the cool, clean lines of his self-released track Surrounded. Minimalist electronic breeze, piano notes in the form of Summer raindrops, and harmonies in the guise of spritely echoes.

It’s just all too gorgeous.

Illuvia is lifted from the album Eternell and you’ll find both over on bandcamp. Buy it and let your senses be beguiled!

..

Last but by now means least, easing us out is the fascinating Two Thousand and Seventeen from Four Tet.

On the wings of Kieran Hebdon this is an amuse bouche from his new album due out later this year on his own label Text Recordings.

It shimmers. It stuns. Precision fretwork of the most intoxicating kind is paired with laid back synth soundscapes to create something so unique that it defies categorisation. Which can only ever be a good thing.

Strings played in an elaborate Asian style are the gilt-edged bling to a paired-back electronic twilight, ornate decor melded with layers of grey.

With its exquisite guitar sequences, which are played with dexterity and flair, and backroom fodder synths, this is a track where melodrama is counterpointed by the most workaday of ‘backing tracks’. Simply perfect.

And a simply perfect ending to what’s been a pretty special playlist. To hear our regular Random & other playlists or to keep up with all the news and views follow us on Facebook and Twitter, or hop across to Spotify! DervSwerve

 

Random Acts of Music – A BBC 6 Music ‘Fluenced Playlist

Starting today, we’re going to be bringing you a ‘playlist/new-music’ project that’s been on the bubble for some time.

As many of you would know, DervSwerve is involved with Tom Robinson’s Fresh on the Net new music support system and hub. This has led to relationships and inter-minglings with various BBC Introducing houses as well as the holy grail of the airwaves, 6 Music.

For some time now it has been our mission to operate in tandem with, as well as support those shows featuring new artists on both Intro and 6. We’ve already spun some Intro supported sounds here over the years, most recently in our Discover Brexit pieces. However, the time has now come to get into a proper Beeb groove and as of today, we’ll be bringing you playlists aligned to the Saturday night ‘Intro’ shows as well as 6 Music Recommends.

We’ll be taking our tips from the gurus over at BBC 6 Music as they pull together playlists sourced from all over the map geographically and sonically. Our Random Acts of Music will take in all the different flavours and tastes of 6 Music and BBC Intro DJs; music of every texture, colour and origin.

Everything in moderation being the DervSwerve motto, we’ve a little bit of everything in today’s #NMP, Random Acts of Music, which interestingly has quite the DIY bent to it as well as a more than mellow feel. Full Spotify playlist at the end of the post.

Kicking things off is Hollow Hand with their just released trippy-Kinksian single End to Everything. A quartet from Brighton, they released their debut album Ancestral Lands in 2015. Interestingly they like Wilson guitars and Liv Ullmann. Check out the groovy Medieval themed visual for their glorious, harmony-filled psych track here!

Californian Angelo de Augustine is up next with his DIY track Crazy Stoned & Gone lifted from his upcoming album Swim Inside The Moon which is due out on 18th August. The singer, who recently signed to the Sufjan Stevens label Asthmatic Kitty, recorded the album live in his house –  vocals and guitar were done in his bathroom, while the piano was recorded in the living room.

Speaking of the DIY recording de Augustine explained: The album was recorded live in the bath tub of my house using a 1970s four-track reel-to-reel tape machine, one SM57 microphone, and an old PA mixer. I positioned the microphone in such a way as to pick up the reverberations of my voice and guitar off of the walls of the tub. After the guitar and vocal performance was recorded, I would often in the same vein add piano, electric guitar, or synthesizer on top of the song.”

Swim Inside The Moon out 18th August is available to pre-order and music fans in the UK can expect to see AdeA take it live this November. One to watch much.

From Dyffryn Conwy in Snowdownia comes space popper supreme, George Amor t/a Omaloma. His new single Eniwe is taken from the album Aros O Gwmpas which is out on the Cae Gwyn label and comes on the back of his recent stint playing the BBC Intro stage at Latitude. It’s trippiness ‘sonified’, a gorgeous drifting prism of loveliness that’d be right at home soundtracking a Cadbury’s Flake ad.

Earlier this year Stirling native, Scott William Urquhart, released his album Lenten Dawn Chorus. Now he is re-releasing a track from his 2015 EP Rosie’s Smile. Instrumental Galaxies is four minutes of technically adept guitar playing with many as twists as turns, and comes highly recommended by both Gideon Coe and Lauren Laverne.

No stranger to these pages, US based Weyes Blood is an artist that is lyrically, musically and vocally at the top of her game. Her recently released album, Front Row Seat to Earth was as spectacular as it was critically acclaimed, as was borne out by its mesmerising promotional live shows.

Natalie Mering, the person behind the WB persona, is as pithy as they come – check out her latest pinned tweet “How many pity likes you give on twitter is one more magic bean in your sympathy sack in hell”. Burn!

Used to Be lifted from FRStE is according to 6 Music’s Lauren Laverne very Stevie Nicks (Silver Springs). It’s set for release on 4th August via Mexican Summer records. If you don’t already have the album, count this as a good first investment.

We’re back in Gideon Coe territory with Belgian singer-songwriter Melanie de Biasio. Her album Lilies, is due out in October via the coolly named Play it Again Sam records, with lead track Gold Junkies just released and what a teaser it is. There’s every genre and none in here – touch of art pop, hint of mid-60s, washes of dark Americana, and nightshades of moody electro-pop.

De Biasio’s sound is intense, her style unorthodox, the result intoxicating.

Turning night to very colourful day is Wesley Fuller‘s #1 Song, which is due out 4th August. The Aussie power popper who hails from Melbourne is set to release his debut album Inner City Dream this September. One for fans of Parquet Courts and Lemon Twigs, this rainbow riot is a current fave of Steve Lamacq.

Vibing the Leo Sayer look with a drummer that’s not a million miles from a late 60’s Ringo Starr, Fuller is fast making a name for himself outside of his native Australia with his sounds of summer, vivacious pop anthems.

Mancunian Aldous RH is Feelin’ Blue and he’s produced the cerulean video to prove it. However, the sound of Lauren Laverne playing his track on 6 Music Recommends should perk him up no end! Aldous used to be in the band Egyptian hip hop, going on to release his debut solo album Seductive Atmospheres in 2015. He says his music is neo-blue-eyed soul – I call it understated, infectious ear-worm.

Feelin’ Blue is out now on Handsome Dad records.

Iron & Wine‘s single Call It Dreaming is lifted from his first album of new material since 2013. Recently featured in the latest ed of Uncut Magazine, I&W aka Sam Beam, has his feet firmly planted in an American country landscape flavoured with pinches of indie-folk. His latest single is a lush and gorgeously textured, guitar-driven wonder the warmth of which perfectly offsets the poignancy of its lyrics.

Speaking of his upcoming album Beam says, “This collection speaks to the beauty and pain of growing up after you’ve already grown up. For me that experience has been more generous in its gifts and darker in its tragedies”.

The album Beast Epic is out on 25th August on Sub Pop records.

Moon Diagrams is the project of Deerhunter co-founder and drummer, Moses Archuleta and the single Nightmoves is lifted from the album Lifetime of Love which was written and recorded in NYC and Georgia over a ten year period. Moon Diagram’s is like a sort of re-imagining of Deerhunter – some of the same and then not – a different genre with threads of the Deerhunter aesthetic woven through its fabric.

Current single Nightmoves is a mellow psych-trancer with an hypnotic rhythm. Lifetime of Love out now on the Sonic Cathedral imprint.

Bill Baird aka Blond Bill, is an American multi-disciplinary artist, TV presenter, environmentalist, painter and creator of concept albums! IOW a man of many talents. Most recently Bill released two albums designed to be listened to at different times of the day.

Brighter of the two, Easy Machines is a child of the morning while Baby Blue Abyss is a record to dive into as the dark rises. Our featured track the delightfully mellow and uplifting acoustic Telephones very of the dawn – is due for release on 4th August, via Talk Show records.

Last but by no means least, a gem of a vintage country track from the late American singer-songwriter Steve Young entitled Seven Bridges Rd. First released in 1969, the song has been covered by music stalwarts such as The Eagles, Dolly Parton and Joan Baez.

Young, who passed away last year at the age of 73, was well know for his idiosyncratic brand of ‘outlaw country’ and in fact his sound and style of easy charm recall that other legend of fine country wine, Lee Hazlewood. Seven Bridges Rd is taken from the re-issued album Rock Salt & Nails out now on A&M records.

We’re going to finish as we started, wrapping things up with the latest single from Angelo de Augustine.  Haze is as warm and heartfelt a piece of acoustic intimacy as you’ll hear anywhere. A lo-fi melodic rarity that will gently wrap you in its arms, should you choose to let it.

To hear our regular Random & other playlists or to keep up with all the news and views follow us on Facebook and Twitter, or hop across to Spotify! DervSwerve

Emilio Pinchi, Jarvis Cocker & The Never-ending Circle of Love

Emilio Pinchi

It’s a rare treat to plug into a new song only to find you’re on the receiving end of Jarvis Cocker mark 2. That is exactly what’s going on with Emilio Pinchi on his latest single, During Voided Hours.

The lead single from Liverpool-based Pinchi’s upcoming EP due out later this year, During Voided Hours is something of an inadvertent homage to the soft-tones of Sheffield’s whimsical Britpop son.

And it’s not just a Cocker vocal-doppelganger thing – the very blood of Pulp’s bassline beat is coursing through the heartland of this song.

The fact that Pulp was one of the most ingenious bands of the ’90s, and Cocker a songwriter significantly superior to many of his peers, shouldn’t go without mention when putting the comparisons into perspective.

Coming in at a very short but sweet two and half minutes, During Voided Hours is a flurry of nicely textured guitars hurtling through a Jools-like bluesy bass and piano combo that complement each other perfectly. As the dynamic piano is to the louche bass, the drawl of tight guitar twang is to the percussive smash in this hyperactive whirl.

Listening to this track is like being thrown into a spinning top that carries you at full pelt around the cyclical patterns, instrumental and lyrical, on which it’s built.

Notwithstanding the hushed tone of Pinchi’s underplayed vocal, the ‘real-life’ quality of his delivery, gives it a tangible, ‘warm to the touch’ quality. As ever, life keenly observed is given the short, sharp, shock treatment of razor lyrics.

Emilio Pinchi is master of both brevity and understatement, something which puts him somewhat at odds with the afore-mentioned master of melodrama.

Speaking about the song Emilio said: “The song’s about breaking-up with someone and end up like strangers. Then you go out and meet new people, but you’re such a tertiary character in their life’s movie-plot at that moment in time.  You realise there’s actually no difference between these new people and the person you were with – it’s just kind of a perspective thing.”  

He continued “I put a bunch of memories and experiences in the the second verse, but the idea is that you don’t know whether they’re old memories or completely new memories/about the old person or a new person. Underpinning the idea of everything being cyclical”.

***Spoiler alert – Keep an ear out for a little amuse bouche of a nod to a fellow homie!***

During Voided Hours is out now. You can follow Emilio on Spotify and Twitter.

DervSwerve.

Talos Unveils Breathtaking ‘This Is Us Colliding’ Video Filmed In West Clare

Brendan Canty

Irish musician and songwriter Talos has unveiled a stunning visual accompaniment to his latest single This Is Us Colliding.

The video, shot on location in the Burren, was directed by the Corkman’s long time collaborator Brendan Canty of Feelgoodlost. The film centres around images of the musician and his band, performing the song atop a cliff, set against the remote and alluring landscapes of West Clare and the Wild Atlantic Way.

Frames of Talos are cleverly interspersed with flashing acid drop colours and film-burn effects, and together with the beautifully edited and stylised footage of the coastline, they pick up on elements of the song’s central theme.

This Is Us Colliding has at its heart a “recurring reference to the idea of the epic journey or exploration and conquering the unknown. (The song) looks at what lengths we go to for what we desire – be it another, or a dream, and if these things warrant those struggles. Will we be satisfied with what we end up with?”

The video is to breathtaking, as this song is to spine-tingling.

There is something about Talos’ voice when it’s left to drift in isolation, across hushed minimalist instrumentation, that harks of times past. There’s an almost medieval quality to its quiet chant.

It’s hard to balance those whispering tones with a powerful surge in delivery, but that is exactly what Talos does as he expertly sweeps the song from static beauty and ethereal spaciousness to majestic melodrama.

Very few other contemporary artists can orchestrate emotion-piercing instrumentation quite like this.

This Is Us Colliding due for release on 21st July, is lifted from Talos’ highly acclaimed debut album, Wild Alee, which you can buy or stream from the usual channels. Watch the spectacular video for this truly beautiful song here.

Move Over Sweden, Norway Has Arrived #Sigrid

sigrid-raabe

Introducing Sigrid Raabe, the Norwegian challenger to the Larsson throne!

One year ago this month, I stood in Trondheim’s Dokkhuset watching headliner Tellef Raabe close the Trondheim Calling music festival.  Last week, in that very same city, I sat on a sofa in the Clarion Congress hotel with the head of another music festival.  We were discussing the Norwegian music artists we felt were going to go #gold in 2017.  Top of that list came the afore-mentioned Tellef’s baby sister, Sigrid.

Coming from a family who immersed themselves in music and culture, all of whom are musically talented, Sigrid Raabe who began her career as her brother’s backing singer, has finally stepped out of the shadow of her older siblings.  And with a GIANT step at that!

Recently signed to the Island Records division of Universal Music, Sigrid, who goes by her first name a la Kylie & Adele, has just released her debut single, ‘Don’t Kill My Vibe‘, and it’s 100% electrocket-pop.

With a big and bold voice scuffed by a grungy, gravelly texture that is the antithesis of the her ice-tipped Norwegian peers, Sigrid doesn’t just sing, she punches out a formidable yet mellifluous vocal with a plucky confidence and ease honed by years of on-stage experience, that belie her young age.

Opening with modulated vocals and sombre piano chords the song quickly perks up with the addition of rapid synth sequences, underground basslines, bombastic percussion and Sigrid’s feisty vocal. A vocal that picks up and rugby tackles the 2-fingered gutsy attitude of the track’s lyrics.

“You’re acting like you hurt me but I’m not even listening …

You think you’re so important to me don’t you, but I wanted you to know that you don’t belong here” 

alesund

‘Don’t Kill My Vibe’ is a pop song in the mould of Zara Larsson, another Nordic singer who isn’t afraid to sound off about how she feels.  Similarly to the Swede’s street style, the track builds from the ground upwards on a foundation inlaid with the #hiphop beats that give it a refreshing newness and raw energy lacking in many of today’s ‘same old’ churn.

Swede Zara Larsson is to glam-meets-street pop as Norwegian Sigrid is to dance-pop with a feisty urban twist, and while Ms Zara has been one of the top Scandinavian exports of the past few years, the Queen of the Nordic territories just might be about to lose her golden crown to a formidable new challenger!!  Time will tell, but for my money, I don’t see why not!  Likewise, I can also see a world in which both Scandi sirens can ‘do’ dual world domination! #girlpower

Sigrid’s single, ‘Don’t Kill My Vibe’ is out now on Island Records with an accompanying video due to be released shortly.  Listen to her ‘packs a punch’ pop track here,

Sigrid is set to play by:Larm in March and TGE (UK) in May – if you’re anywhere near Oslo or Brighton on either occasion you know what to do!  Follow Sigrid on Facebook and Twitter – and you’ll find me likewise @ #DervSwerve

Pom Poko – Unleash New Single Ahead of Trondheim Calling & Cruise Into Urort Final!

Pom Poko Urortfinalen 2017
Pom Poko Urortfinalen 2017

Norwegian modernist collective Pom Poko have just released their third single ‘It’s a Trap’ accompanied by an impressive avant-garde ‘toon visual, the work of Olav Fangel Jamtveit, brother of the band’s vocalist, Ragnhild FJ.

A song about release and arrival, letting go to achieve self-awareness, ‘It’s a Trap’ is a quirky, punchy little sherbet that fizzes with pops of 90’s post-punk with more than a hint of glam psych.  Without doubt the track benefits from the experimental nous and masterly hand of Highasakite‘s Kristoffer Lo, a man who knows his way around more than a few instruments.  Adding his trademark guitar, brass and a.n.other sounds to the mix, Lo has taken Pom Poko’s sound in a more experimental and diverse direction, giving the original live jam the same depth and texture he brings to all his collaborations.

While the instrumental backdrop has some sharp edges, it is chasmed by sufficient wide spaces to counter-balance the intensity. As usual, vocal duties of the infinitely starlit variety are carried off with effortless ease by Ragnhild Fangel Jamtveit and if her previous live vocal performances are the benchmark to go by, Pom Poko’s two gigs at Trondheim Calling should be something else and then some more!  During TC the band will also perform a live sesh for P3’s Ruben.  Unfortunately for me it’s happening on the Wednesday, ahead of my arrival ‘on scene’.

In addition to their saffron shot nocturnal cartoon visual accompaniment, Pom Poko have adorned their single with the cutest, candy-coloured artwork by Norwegian illustrator Erlend Peder which you can see here!  The floral bedecked character is as yet to be identified!

Illustration Erlend Peder
Illustration Erlend Peder

In other news, Pom Poko have made it to the Urort Final 2017 (a Norwegian national award for promising emerging artists); if you like what you hear, you can vote for Pom Poko to win this prestigious award, here. #doit

It is a testament to their punky quirkiness that Pom Poko give their facebook page “unofficial status” – hook up with it here to touch base with the band and keep up to speed with their lives at Trondheim Calling and their Urort escapades!

The future is definitely as bright as the characters in their ‘It’s a Trap’ video for this effervescent four-piece – I hope you’ll join me in wishing them all the luck in the world – for Trondheim Calling, for Urort and we-ell, for the future.

‘It’s a Trap’ is available now via Phonofile – http://phonofile.link/its-a-trap  .  Watch the captivating fam-made visual here.

Blunt By Name & Blunt By Nature

james-blunt

James Blunt gives his detractors the 2-fingers in latest single, ‘Love Me Better’.

Lifted from his upcoming album ‘The Afterlove’ which is set for release on March 24th through Atlantic Records, ‘Love Me Better’ marks a new departure for the platinum selling artist.  Produced by American singer Ryan Tedder (One Republic), a respected songwriter in his own right (Madonna, U2, Adele) its interstitial arc curves through a spectrum of slick R&B before exploding into vibrant uptempo pop.

While reflective lyrics are raw and forthright, they are also both critical and self-critical.  Shaped in the humourous fold that is trademark Blunt, they take a side-swipe at the Blunt detractors whilst dabbling in some heartfelt emosh.  Fusing high-end R&B with uptown pop, the song, which hinges on catchy beats and gyrating synths, cruises seamlessly through stop-start tempo changes, giving it both a striking rhythm and refreshing vibe.

Coming ahead of his fifth album on which James worked with a diverse cohort including Ed Sheeran and MoZella, the track marks a progressive shift in both sound and style for the ‘You’re Beautiful’ star.

 

 

Later this year, November to be exact, will see James Blunt embark on an UK ‘The Afterlove Tour’.  A list of dates together with links to pre-order the upcoming album are detailed below.  For further information check out James Blunt’s Facebook page.

To listen to ‘Love me Better‘ in full, click onto Spotify here:-

‘The Afterlove UK Tour’ November 2017

17th Nottingham – Motorpoint Arena

18th Leeds – First Direct Arena

20th Glasgow – Clyde Auditorium

21st Birmingham – Barclaycard Arena

23rd London – Eventim Apollo

24th Brighton – Brighton Centre

25th Bournemouth – BIC Windsor Hall

‘The Afterlove’ Pre-Order Links:

Standard version – https://atlanti.cr/theafterlove

Extended version – https://atlanti.cr/theafterlove-ext

 

As Far As I’m Concerned, ESO Are Beyond Impressive

eso-nov-2016-by-christian-zervos
eso-nov-2016-by-christian-zervos

Sandvika natives, Einar Stray Orchestra are to indie music what the Divine Comedy are to alt-pop.  In fact, with his suave baritone and predilection for quirky, on-point lyrics and gregarious, orchestral manoeuvres, Einar Stray is for all intents and purposes, the Norwegian Neil Hannon.  Tbh, I can’t help fantasising about what spectacular sonic soap-operas the pairing of Stray with Hannon could magic-up … ah, one can dream.

Einar Stray’s five-piece ‘orchestra’, for orchestral they are, have just released ‘As Far As I’m Concerned‘ the second single from their upcoming album set for a 2017 release via Sinnbus & Toothfairy.  The follow-up to 2016’s ‘Penny For Your Thoughts’, it’s a lavish affair, awash with resplendent string sequences, bright vivacious melodies and smoothly manoeuvred time changes underpinned by dynamic contributions from the R/S.

Vocally, the sweet lightness of Ofelia Østrem Ossum’s soft mezzo is the perfect foil for the dark shade of Stray’s rich baritone, while lyrically, this cleverly worded opus centres on the theme of the fear of change. “The fear of turning into someone the old you despite. The fear of throwing your life away going in the wrong direction. Moving forward can be terrifying – yet it’s the only way.” 

ESO have announced an upcoming European tour kicking off in one of my favourite cities, Vienna, on 13th April. The tour will see them play countries such as Switzerland, Belgium and the UK amongst others but alas, no Irish dates seem to be on the cards! ESO are however lined-up to play Norway’s Trondheim Calling festival and for those of you who like me will be lucky enough to grace those snowy paths from 2nd to 4th February, full details of the artist schedule and conference programme are here.

2017 also sees the release of Einar Stray Orchestra’s third album, which, if the two superb singles are indicative of its overall quality, should be pretty much splendidly symphonic, colourfully creative and in two words, beyond impressive.

Full details of ESO’s tour and their upcoming album release can be found on their Facebook page.  Follow them there and on their Twitter page to keep up to speed with their musical escapades and a possible collaboration with our own Neil Hannon (well, stranger things have happened!).

To read about my own upcoming escapades over at Trondheim Calling, check into my blog, or hang out here on FB or Twitter.

Julia Jacklin Turns ‘Someday’ On Its Head With Strokes Live Cover

julia-jacklin-photo-shervin-iainez
julia-jacklin-photo-shervin-iainez

Australian rising star Julia Jacklin has just released the video for stunning cover of ‘Someday’ the smash hit by The Strokes.

Recorded live for an in-studio session with Australian radio station Triple J for their celebrated ‘Like a Version’ show, Jacklin performed the song, which won multiple Best International Song gongs worldwide, in her own inimitable idiosyncratic style.  Slowing the tempo right down and giving it her trademark country-grunge twist, Julia Jacklin took ‘Someday’ by the ankles and turned it upside down.

A fan of The Strokes chart topper which the singer first heard at the tender age of 12, Julia’s rendition whilst respectful, is as unique and off-rock as one could possibly get. Proving that imitation isn’t necessarily the sincerest form of flattery, Jacklin and her band take this legendary band’s #No1 song and take it to a different level.

Slow, drawling, warm, infectious, understated and as mellow as hell, this performance just lingers on the soul long after the final bars have faded into the lights.

Julia Jacklin came to prominence in 2016 when her debut album, ‘Don’t Let The Kids Win’ was released to unanimous critical acclaim.  Receiving cross-station airplay in the UK, her single, ‘Coming of Age’ was a country-fused indie-rock blinder that won her an army of fans across the British Isles.

Having already toured successfully on the back of her 2016 releases, Jacklin returns to the road in 2017 with an extensive list of live dates including slots at some of the top music festivals from Primavera to Oslo’s Øyafestivalen.  She is also set to play a live at the city’s renowned annual music showcase By:Larm which runs from 2nd to 4th March.

For those interested in seeing this unique, vivacious and fascinating artist play her especial style of music live alongside her extremely cool band, here’s a list of UK&I dates inc her headline at Whelans, Dublin in late Feb.

Feb 22 – Green Store Door, Brighton, UK (SOLD OUT)
Feb 23 – Soup Kitchen, Manchester, UK (SOLD OUT)
Feb 24 – Bodega, Nottingham, UK
Feb 25 – Whelan’s, Dublin, Ireland *****
Feb 27 – King Tuts, Glasgow, UK
Feb 28 – Headrow Houes, Leeds, UK
March 1 – Louisiana, Bristol, UK (SOLD OUT)
March 2 – Scala, London, UK
March 3-4 – By:Larm Festival, Oslo, Norway

June 3 – Field Day Festival, UK

A full list of tour dates and up to date information can be found on Julia’s Facebook page.  If you haven’t already dipped your toe in to the Jacklin pool, you can find ‘Don’t Let The Kids Win’ on iTunes and other online stores.  What you won’t find though, is this gem! Enjoy!