Norwegian Trio Set To ‘Take-On’ Cork In June 2018

Norwegian pop legends a-ha have announced that they are to bring their Electric Summer 2018 Tour to the banks of our own lovely Lee. That’s right, Norway’s biggest musical export, although DJ/producer Kygo is fast chasing their tails, will perform Live at the Marquee Cork on 12th June next year.

One of the biggest-selling global pop-phenomena of the 1980’s, the multi-Platinum selling triumvirate of Morten Harket, Mags Furuholmen and Pal Waaktaar-Savoy will perform some of their greatest including Take on Me, The Sun Always Shines and Bond theme The Living Daylights.

Probably best known for their wordwide number one hit Take on Me, the video for which – possibly one of the best of all time – led the zeigeist in music video technology back in the day, a-ha chalked up several best-selling albums including their international chart topper Hunting High and Low, released in 1985.

Most recently the band released an MTV Unplugged Summer Solstice album, which featured a stunning collaboration with fellow Norwegian and Highasakite lead Ingrid Havik, and the 2015 Cast in Steel album.

The 2018 Electric Summer Tour will see a-ha, complete with new band, bring their full electric set to venues across Europe, promising vibrant live shows with set-lists comprising a mix of their biggest hits with some new material.

Now that’s one ‘Back to the 80’s’ trip, you can’t afford to miss.

Tickets go on sale Thursday 7th December at 9am ticketmaster.ie ! 

2FM Xmas Ball ’17 – The Script Headline – Tickets On Sale Friday 10th November

The 2FM Xmas Ball, which is jointly hosted by RTE 2FM and MCD productions, is set to return to Dublin’s 3 Arena on 19th December, 2017. The annual musical jolly in aid of the I.S.P.C.C and Childline, has already lined up a host of top Irish music stars to take part in its Christmas themed extravaganza.

Headliners are Dublin boys, The Script, with The Coronas and Gavin James the other big names so far announced to play the charity ball. Hudson Taylor and Hermitage Green have also booked slots on the line up, along with newbies Wild Youth and Little Hours. More acts and special guests are yet to be announced.

Presenters on the night will be made up from the 2FM radio family including Nicky Byrne & Jenny Greene, Eoghan McDermott, Bernard O’Shea, Jennifer Zamparelli, Keith Walsh, Tracy Clifford and more.

Last year’s event raised over €460,000 and organisers hope that the 2017 follow-on will generate even more badly needed funds for the two Irish children’s charities. Just in case you were under the misapprehension that I.S.P.C.C and Childline are state funded, let us be very clear – they are not!

ISPCC/Childline had to close its centre in the past week due to a shortage of funds, depriving vulnerable children of its much needed listening service. The funds generated by the 2FM Xmas ball will raise just under 10% of the funding required by ISPCC/Childline for an entire years operations.

Help these charities support child victims of bullying, discrimination, neglect, poverty etc by dipping into your pocket and buying a ticket for what’s set to be one of the entertainment highlights of the festive season.

Tickets priced Euro 39.50 will go on sale at 9am Friday 10th November via Ticketmaster – link here – http://www.ticketmaster.ie/2fm-Xmas-Ball-tickets/artist/2292502

Feature: Mongoose ‘Four’ EP Launch & Whelan’s Live Review

As a lover of all things Fender, effects pedals, YorkeWood and psychedelic coloured, agave-flavoured drone, I rarely dabble in the white-art of “tumbling folk-pop”. However, I can and do make exceptions, especially when the creators of this centuries old musical tradition are none-other than A) Irish B) female C) damn fine musicians.

Last Friday night, 2 + 2 = Mongoose, an all-female, Dublin based four-piece whose lineage stretches well beyond the Pale’s perimeter. The verbose quartet, who took centre-stage in Whelan’s to mark the launch of their Four EP, lit up the renowned entertainment emporium with the same exuberant effervescence as a shoal of squibs sparking with a drove of dynamite. Their set was a triumphant muddle of pared back quasi-pastoral trad-folk and frantic big-build urban-jungle jazz beats that swung between lull and bombast, channelling everything from wistful romanticism to raucous jubilation. Get the IG?

Interestingly, their 15-song setlist featured just one track, Can I See You Tonight, from the band’s eponymous debut album. The rest was a blend of newbies, tried and tested but unreleased comps, and the Four individually penned parts that make up the ‘whole’ of the latest release.

Mongoose opened their set with the wafer-light, lulllaby-esque strains of Nicer by Night, a track that grew from a whisper to a roar, before launching into Bullseye, first of the EP quadruplets on the night. A galloping rag-time jazz affair, this ‘life and soul of the party‘ song warmed the crowd up from enthusiastic to smokin’.

After the cavorting Bullseye, the mood was toned down considerably by the jazz-blues soft shoe shuffle avec delish clarinet of Motionless, onto which percussionist Molly O’Mahony slowly poured a rich 80% dark chocolate vocal.

In fact variations on the jazz theme are at the very front, back and centre of many Mongoose compositions – from the pure mellow harmony filled blend of the slick, slow, sad My Own, to sonic fairytale Marsh which perfectly captured the vocal genius of the Andrews sisters. Another innovative gem pulled from their idiosyncratic treasure trove in which a quasi-acapella shuffled into a sparse, quirky lament full of sliding harmonies, wonky chords. This ridiculously good jazz-country hiked up into the most delightfully delicious and frantically raucous of endings.

A set of thematic and schematic opposites saw Mongoose play snakes and ladders with tempos, genres and stylistic interpretation, switching through an eclectic range of colour-washed tracks, ranging from sepia stained to acid-bright. There was Suck, a vocal layer cake astride a throbbing percussive heartbeat and low-slung drone that built to a thundery squall, side-by-side with the inky black, funereal Draw the Line, a new song of lonesome trad-ballad proportions trimmed with bluesy influences.

Enter stage left the quirky Mongoose alter ego. These gals have the wonderfully uncanny knack of turning a song on its head humpty-dumpty stylee halfway through. So, Draw the Line, which initially was something of a doleful dirge was transformed like an ‘ugly duckling’ (no offence girls), into a much bigger, bolder, brighter beastie. Skyscrapered into a meld of Mick Fleetwoody style drumming and 60’s Doors guitar sounds it provided just one of the several ‘wow’ moments of the night.

Another came with humongous crowd pleaser Hard Ground a track which ripped more cheers, thuds and roars from the crowd than any other! It’s piece de resistance came with the extended instrumental outro was which Horslips incarnate.

The Kate Bush meets Fleetwood Mac Roadblock with its Sat in Your Lap vibes and alt-pop sensibilities made way for a musical ‘family gathering’ with clarinet, trumpet, trombone and strings players (including Ní Cheannabháin’s mother) joining the band onstage for their track Sister.  A bit in the mould of Simon & Garfunkel, it’s an endearing folksy ballad with a rousing chorus that spurred the ever-ready crowd to take on the choral chant “faraway, faraway” which they did with ebullient enthusiasm, fuelled by alcohol and adrenalin in equal measure.

Penultimate song on the main setlist was the Molly O’Mahony penned ‘waltz’ Joie de Vivre. Possibly this reviewer’s favourite on the night, it could easily soundtrack a BBC drama series. A song of two halves, it opened with a delicate, fragile piano-driven monologue before bursting into an impassioned oration atop sweeping three-four time melodrama. This is the kind of pathos-infused music John Barry used to conjure up without breaking sweat. It’s a stunner.
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As was the band’s overall performance on the night. From their non-stop banter to their imaginative interpretation, from their faultless delivery to their ridiculously enchanting vocal gymnastics, these girls never put a foot wrong throughout. When they played the two already released singles from the EP, Old Friend and Counting Song, (videos above) the crowd near ripped the roof off the room, such is the popularity of this group of harlequin troubadours.
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Sonic chameleons with a myriad of stylistic abilities up their sleeves, it’s clear that Mongoose have a formidable and incredibly well-honed talent. If they could bottle the electricity they managed to generate in Whelan’s the other night and decant it across the rest of Ireland, they’d be in poll position in the charts within no time. If only,

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The Four EP credits are as follows:-

Old Friend, composed by Cara Dunne

Counting Song, composed by Muireann Ní Cheannabháin

Bullseye, composed by Ailbhe Dunne

Joie de Vivre, composed by Molly O’Mahony

Mongoose is Molly O’Mahony (drums/vox), Muireann Ní Cheannabháin (cello/vox) and sisters Ailbhe (guitars/vox) & Cara (keys/vox) Dunne. Mongoose are currently mid-Nationwide tour – full details on their Facebook page. Their EP entitled Four is available to buy/stream via all the usual suspects incl iTunes, Bandcamp and Spotify, the link to which is here-below.  DervSwerve x

Other Voices – Final Call – Curtain Closing!!

Friday 22nd September is the final day for submissions to Other Voices Festival.

Shouting out to all unsigned artists who have an interest in performing at the festival which will be held in Dingle, Co. Kerry from 1st to 3rd December. Last year, nearly 1,000 artists applied for a single performance slot at the IMRO Other Room!!

eir Other Voices has extended an invitation to all unsigned artists across Ireland irrespective of genre to submit one track for consideration. Entries are open here until 6pm Friday 22nd September. The Other Voices Live open call will see the chosen artist receive full end to end support, from their journey to Kerry to funding for travel, recording and video production.

In addition to the filmed performance in the IMRO Other Room for broadcast on RTÉ the publicly selected artist will also be sponsored by eir for:

  • Three days in a recording studio with a top engineer
  • The production company and budget to create a music performance video
  • Travel to & Accommodation in Dingle for the eir Other Voices weekend
  • Practical music industry mentoring from the eir Other Voices team

The IMRO Other Room which is a dedicated platform for emerging artists has previously played host to Rusangano Family, Villagers and James Vicent Mc Morrow. Back in December 2015, IMRO Other Room was recorded live, the session featuring in an RTE special side by side with performances from Talos, Saint Sister and the then Open Call winner Saramai.

Key points & Timelines

  • Only original bodies of work will be accepted. Entries are open to applicants from the Island of Ireland
  • The winning applicant must be free to travel to Dingle for the duration of 1st to 3rd December, where they will play the IMRO Other Room in front of a live audience.
  • Late applications will not be considered.
  • Lobbying of judges will result in disqualification.
  • Four shortlisted eir Other Voices Open Call acts will be announced on 19th October and made available for preferred public selection online.
  • The public selection process will close on 26th October – An independent adjudicator will tally the public selections received
  • On 1st November the eir Other Voices Listeners Choice will be announced.

Full details of all the terms and conditions but information on how to make your submissions on the Other Voices website.

Other Voices Live Open Call is sponsored by eir and supported by RTE 2FM. Best of Luck y’all!

Huw Stephens & May Kay Set To Present Most Disparate Other Voices @ EP Line Up Yet

Stalwart Electric Picnic-ers will be delighted to learn that firm fan fave, the Other Voices stage returns to the Stradbally woods with an eclectic line up as disparate as it is exciting.

A blend of Irish and international artists will perform in EP’s most intimate setting, and judging by the breadth of talent due to take to the OV stage, festival-goers can expect all kinds of everything and then some.

Details have just been released of the latest additions to the Other Voices roll call with the extended line up being made up of a balanced mix of both established and emerging artists. Here’s a flavour of some of the artists that’ll be showcasing their wares in this most special of silvan settings:-

Making his Irish debut will be Berlin-based, Oxford native singer-composer Tom Adams who recently performed as part of the Other Voices Berlin Irish music showcase. His 8-track mini album Silence, which was released earlier this year, is simply breathtaking.

The much anticipated set of rising star Eoin French’s Talos project, which only recently released the stupendously gorgeous Brendan Canty visual for his single This Is Us Colliding, should see the Cork man focus on tracks from his highly acclaimed debut album Wild Alee.

Fresh from successful slots at TGE and Body & Soul, Fresh on the Net and Tom Robinson Fresh Fave Ailbhe Reddy makes her EP debut. Her dynamic vocal ability and insightful lyricism are guaranteed to captivate.

Booka Brass, who do exactly as it says on the tin, make a welcome return with their sometimes sexy, always sassy, innovative take on infectious contemporary jazz sounds.

Music vet David Kitt is set to introduce his New Jackson electro-project. He also togged out for OV in Berlin and you can expect more of the same, with a Night to Night fuelled set for his ‘woodland’ slot.

Livening things up a little should be alt-rock outfit Bitch Falcon who hopefully won’t be too Castlepalooza’d out of it to provide some ‘feist’ to the pastoral with their grungy gargantuaness.

If you like your R&B dope, then Hudis, Grvz, SolBas, and Glory aka funk-trap outfit Super Silly are the go-to act for you.

And when the cobwebs, and hopefully not the clouds, are beginning to gather, all girl four-piece Pillow Queens will help shake things up with their fresh brand of ballsy neo-new wave. Think grrr with a touch of purr.

Other acts set to mix it up and shake it down are dreamy voiced British electro-popper Pixx, poet Stephen James Smith, Portadown native Jealous of the Birds (the North’s top tip for the big time!), and post-punk quartet Slow Riot. They’ll join the likes of Katie Laffan, Jafaris, Saint Sister, Laoise, Soulé and more .

Other Voices at EP will be presented by the Beeb’s Huw Stephens along with May Kay of Le Galaxie and Fight Like Apes fame. Full details of Other Voice @ Electric Picnic can be found here.

To whet your appetite, which of course can only be fully sated by devouring the full Electric Picnic menu, we’re signing off with an Other Voices playlist – think of it as an amuse bouche to the table d’hote.

HWCH Tickets Go On Sale As First Round Of Delegates Announced

Ahead of the ‘big-reveal’ of its line-up Hard Working Class Heroes has announced ticket info for its September event.

The Irish music showcase and conference, which is held annually in the capital, will this year run from Thursday 28th to Saturday 30th inclusive, with the event being split into two parts.

The first, which will be held in the Chocolate Factory on the opening night of the 28th, will be a networking event aimed at encouraging visiting international delegates to network with both Irish media and music artists alike.

The second ‘double-nighter’ will see a run of live showcases in various venues throughout Dublin across 29th and 30th September. With over 400 applicants to chose from, the adjudicating panel will no doubt have had some tough calls to make but the final line up is likely to be as diverse and talented as in the past.

Similar to international models such as Norway’s Trondheim Calling and the UK’s The Great Escape, HWCH, which is supported by The Arts Council, Culture Ireland and Failte Ireland/Tourism Ireland, plays host to international delegations to its showcase/conference event.

These visits enable overseas promoters, producers, bookers, labels and media alike to make connections with their Irish counterparts and see a wide range of innovative Irish music.

Through attendance at HWCH, delegates can:

– See exciting new and innovative contemporary Irish music performed live in a specially curated list of venues

– Create new links and/or strengthen existing ones between the contemporary music sector in Ireland and contacts overseas

– Meet with peers from both Ireland and other countries to discuss possible creative collaborations, co-commissions and partnership projects

HWCH has over the years attracted numerous international figures from a broad range of musical backgrounds and this year would appear to be no exception. The first round of international industry delegates has been announced and features some serious music credentials.

NYC based freelancer Laura Parker (Rolling Stone, Vanity Fair), Reeperbahn Festival’s ‘Head of Showcase Programme’ Evelyn Seeber, and The New Yorker’s John Seabrook are just some of the top notch names flying in for HWCH17. Read the full first cut here.

Across the breadth of the HWCH weekend, artists, delegates and music professionals will be able to attend a mix of workshops, discussions and panels. Artist-Professional 1:1’s will also be part of the HWCH mix.

This unique programme of sessions aims to help artists to grow awareness and get their music heard. They also provide an invaluable open-forum for artists to gain industry insights and hook up with professionals to whom they would otherwise never have access.

Some of the HCWH16 success stories with whom you might be familiar are SouléAilbhe Reddy, Talos, A.S Fanning and Le Boom. Previous HWCH incumbents have included Saint Sister, Rusangano Family, HozierSoak, and boys about town, The Strypes who’ve just dropped a new album, and Otherkin whose debut is on the way.

Make sure to get your tickets early as like every other live music event in Ireland, they sell out pretty darn quickly. DervSwerve

Tickets (incl charges) via Eventbrite are priced as follows:

Conference & weekend live €55.00 / Weekend live €35.00 / Conference €25.00

Nightly live €25.00 / Single venue €12.00

https://www.eventbrite.ie/e/hard-working-class-heroes-festival-2017-tickets-35351423058

 

MFI Series Of London Events To Showcase Irish Acts To UK Music Industry

A series of London-based gigs to showcase up and coming Irish music acts has been announced by Music From Ireland.  The Irish music export office in conjunction with hosts London Irish Centre, will this  month bring the best of emerging Irish talent across the sea to the UK capital for a succession of gigs.  Kicking off on Thursday 29th June in the LIC’s Camden HQ, the series is expected to run until the end of 2017, if not beyond.

The platform was developed with the UK industry in mind, as it bids to bring contemporary Irish acts to the attention of a wealth of music professionals ranging from promoters to PRs to programmers.  The project is supported by Culture Ireland, the government subset of the Dept. of Arts, responsible for the promotion of Irish arts worldwide.  Speaking of the showcase series, Christine Sisk, Director of Culture Ireland explained:

“Culture Ireland puts showcasing at the centre of its strategy for international promotion of the arts as by reaching international promoters showcasing succeeds in generating further career opportunities for artists globally. The new quarterly ‘Music From Ireland’ showcase, run by the London Irish Centre in partnership with Music from Ireland offers a great platform for Irish musicians in London to reach promoters, agents and programmers and gain UK touring contracts.” 

The series opener on June 29th will feature three non-Dublin based acts: Cork native Talos, Northern Irish artist Naomi Hamilton who performs under the Jealous of the Birds moniker, and Limerick based Rusangano Family.

Three extremely diverse acts, they make for a broad and colourful representation of the modern Irish music scene in 2017.

Jealous of the Birds is an everything and then some singer, songwriter and multi-instrumentalist who dabbles in myriad sounds so as to render her style impossible to nail into one single classification.  Travelling through the dark into light, her songs are a fine balance of hushed poignancy and electric vibrancy.

Having released her debut Capricorn EP in early 2015, this young songwriter has gone from strength to strength amassing a strong fanbase that includes media from both North and South of the border.  Her leisurely indie-folk meets hyperactive post-punk debut album Parma Violets, was released to broad critical acclaim in April, 2016.

Check out the video of the chanteuse’s live BBC N/Ireland performance Leonard Cohen’s sublime Famous Blue Raincoat; I challenge your spine not to tingle.

Breaking Tunes profile: http://www.breakingtunes.com/jealousofthebirds
• Web: https://www.jealousofthebirdsmusic.com
• Twitter: @jeliofthebirds
• Facebook: @jealousofthebirdsofficial

Cork native Eoin French is the man behind the Talos music project.  With a voice not unlike that of legendary Talk Talk frontman Mark Hollis (there, I’ve finally said it), like his mysterious predecessor, his voice flits through bars of insanely emotive instrumentation. Brimful of the Cork man’s vocal nuances and peppered with stark imagery and keenly felt lyrics, his debut album Wild Alee is a sure fire cert when it comes to best album 2017 nominations further down the road.

Check out the breathtaking visual accompaniment to Talos’s latest single Contra, a devastatingly and beautifully eerie song about loss and death crafted in a delicate shell of hope and light. Shot in the West of Ireland , the film was directed by the singer’s friend, renowned photographer Brendan Canty (of feelgoodlost)

• Breaking Tunes profile: http://www.breakingtunes.com/talos
• Web: http://www.talostalos.com
• Twitter: @talostalostalos
• Facebook: @TalosTalosTalos

Last but most certainly not least, Limerick based Rusangano Family is a triumvirate comprising two MCs and a DeeJay. Winners of the Choice Music Prize album of the Year 2016 for their self-released album, Let The Dead Bury The Dead, this hip hop/rap/Afro beats outfit are at the cutting edge of the contemporary Irish music scene. In fact, they are everything that is good about the rapidly changing, diverse Ireland in which we now find ourselves.

Check out their searingly on-point new single I Know You Know the lyrics for which you’ll find laid out underneath the video on YT and I strongly urge you to read them! Slick funk bass-lines and silky synths blunt somewhat the sharpest edges of the damning lyrics.  A song about depression, place and isolation within society (least that’s my interpretation), the striking visual accompaniment, below, makes compelling viewing.

That’s a ‘rap’.

• Breaking Tunes profile: http://www.breakingtunes.com/rusanganofamily
• Web: http://www.rusanganofamily.com
• Twitter: @RusanganoFamily
• Facebook: @RusanganoFamily

A limited number of ticket for the inaugural showcase gig on 29th June in Camden are open to the general public. Full details and tickets here.

If you don’t go, you are missing one heck of a line up and what promises to be one hugely memorable night.  In the meantime, you can feast your ears on more sounds from the three featured artists by streaming this 9-track playlist which I’ve pulled together from their various catalogues.  Enjoy.

DervSwerve.

 

Who’s Your Forbidden Fruit?

Tick Tock Festival O’Clock … It’s just a few steps to festival heaven as we approach the Summer month of June, with its beach-friendly, blue-skied days and long, balmy wine-friendly nights, or are we mistaking Ireland for a different more azure-dazed location?

Nothing says the start of Irish Summer like the klaxon-call of the first of the season’s festivals and while for many that siren is sounded by the annual bougainvillea bedecked Bloom, for others the de facto season opener is the capital’s Forbidden Fruit festival. Operating from its base in the gorgeous surrounds of the Royal Hospital, Kilmainham, FF runs across the Irish June bank holiday weekend – Saturday 3rd to Monday 5th inclusive, to be precise.

With a range of artists from across the full sonic spectrum on it’s three day programme, FF is a valued showcaser for an idiosyncratic rainbow made up of eclectic and left-of-centre genres. Not for them the boybands, Rihanna wannabes or faux-leather clad rock anthemers. Instead, their line up features both emerging and successful talents from the non-mainstream fields of alt-pop, folk, experimental techno and Chilean improv.

So, with a host of music acts ranging from the sublime Lisa Hannigan’s enchanting folk-pop to the ridiculously innovative Aphex Twin, who are the acts in the Forbidden Fruit orchard whose music you’ll want to bite into and chow down on.  Let’s take a look wander through the three day a la carte …

Saturday 3rd June

Musical Bill of Fare protocol pretty much dictates the same hierarchical structure as a Michelin starred menu – starters, entrees, mains with dessert being optional and left to your own late night delectation!

As you would expect, the festival opens with a wealth of emerging Irish talent including Dublin purveyors of delish dance-pop ‘n’ house Le Boom, RTEs rainbow DJ Tara Stewart and rapidly rising rap-poet Jafaris, whose sound is more East Coast than East Wall.

Moving up a flight to the next level, we find the student-run, salubrious Trinity Orchestra, (tune in below to see what these guys can do to a Gorillaz track!), block-rocking beatmaster DJ Mall Grab, techno-house homie Jax Jones, and mistress of wonky funk, Londoner Nao. British hip-hop funksters Hot Chip close out this second tranche as it were, with their #DJSet.

Up at mezzanine level, FF fest-goers will find Peckham born street rapper Giggs, ambient-pyschers San-Fran based Tycho (a must for all your Tame Impalers), and those maestros of electronic choreography Berliners Booka Shade. Saturday night title of Chief electronic cooks and deck virtuoso goes to the Hartnell bros, more commonly known as Orbital.

Sunday 4th June

Day 2 in the FF pleasuredome is a veritable riot of Irish talent from unorthodox creative Aikj through Dub alt-rockers Heroes in Hiding to the amazing Ships whose album Precession is a wonderland of enigmatic electronica. One younsgter you should keep an eye out for is Soule, a singer fast making a rep for herself with her soul-electro-pop fusion.

The name Motor City Drum Ensemble is enough to catch the eye, but one whiff of the beat driven meld of drums, tech and jazz-soul is enough to hook the ear. German Danilo Plessow is at the helm of this unorthodox outfit with a global vision.

Sirens Press Shot Uncredited

At the top table you’ll find 21 year old Guersney native Mura Masa, a NAME+, in the world of hip hop cum R&B production and songwriting, another set of Berlin boyz and yet another experimental-electro duo Moderat, and the totally bloomin’ amazing Chilean Nicolas Jaar #nowords

With the head honcho title being allocated to homeboy Irish born, English raised electro-genius, Aphex TwinSaturday night is a must for the electro-nuts amongst you.

Monday 5th June

Probably D-Day for folksters, Monday 5th wraps up Forbidden Fruit with a sparkling array of ambience, ethereal and kaleidoscopic.

Twenty year old Galwegian Laoise is one of the newer stars of the festival’s final line up.  With a blend of dreamy pop that flows in and out of shadows, hers is a sound with more than a little darkness to its seeming iridescent perfection.

Cork man Eoin French will showcase his Talos project, whose strikingly beautiful debut album Wild Alee had Irish media in raptures earlier this Spring.  He’ll be followed by Choice Music Prize Winners Rusangano Family, whose Afro-beats based experi-rap has provided a much welcome breath of fresh air to the local scene.

An act who’s bound to be a huge draw on the night is Leeds born Paul Thomas Saunders whose voice teeters on the brink of Brett Anderson (listen to his vocal on Appointment in Samarra on our FF playlist and tell me I’m hallucinating).

The only artist to get two tracks posted to said playlist, Paul has just released a stunning new single, Holding On, which if you’re not going to the festival, you can check out here.

Saunders will be followed onto the main stage by rich-voiced, young Australian native Gordi who was hugely impressive when she played Whelans support to Norwegian flyers Highasakite last May.

Lest I forget to mention it, Forbidden Fruit comes replete with inflatable wedding chapel (pictured above), disco dodgems, a wedding disco, bingo loco (for all you clickety click two fat ladies nutters out there), a comedy tent, a funfair and oh, most importantly, a cocktail bar.  Interested much? Full details here … bites of the Forbidden Fruit.

The final countdown sees a rich roll-call of music veterans including English folk trio The Staveswhose vocal harmonies always send shivers tingling down the spine and the utterly delectable, silken-voiced Lisa Hannigan whose 2016 album At Swim was a masterclass in the power of understatement.

The festival folds with the inimitable Bon Iver, legends within the realm of indie folk, noted for their innovative and exploratory creativeness.  Their last album, 22, A Million, was a bit of a ‘departure’ as they say, but a dog can’t chew the same ball for his whole life can he? You can hear 21 Moon Water, one of the tracks from that album on the playlist below. For you ‘folkster’ die-hards (contradiction in terms) here’s something more up your traditional street.

That’s it folks.  65 Music Acts over three days on one of the best Bank Holiday weekends in Ireland.  Forbidden Fruit caters for the wacky, the winsome and the wonderlusters.  It’s line crosses the great divide between avant-garde electronica & ball-breaking techno and feather-lite folk/existential psychedelia.

With artists from as far as Germany and Australia and from so near that they could hop on the 25a and be there in 15 minutes, Forbidden Fruit caters for hungry music fans as anxious to see homegrown talent (and isn’t it wonderful to see a large cohort of Irish acts on the bill), as a flavoursome pick n mix from far off shores.

Whichever side of the coin your tastes lie in, Forbidden Fruit will should provide more than a little something for you to sink your teeth into.

Forbidden Fruit runs from 3rd to 5th June in the grounds of the Royal Hospital, Kilmainham. Full details re tickets, line up, times, areas etc here. Check out our FF playlist on Spotify.

Female Artists Constitute Just 27% Of The LineUp Of The Top 3 Irish Music Festivals – Why?

THERE ARE MORE women than men living in Ireland, according to the Census 2016 results.  

Figures, recently released by the Central Statistics Office (CSO) show that, of the 4,761,865 people in Ireland, 2,407,437 are female and 2,354,428 are male (a difference of 53,009).  Overall, there is a gender ratio of 97.8 males for every 100 females.

So tell me then why it is then that only 27% of the 114 acts playing three of the biggest music festivals in Ireland are made up of females or have a female vocalist/musician at the helm.

While some fare better than others – the EP Main & Other Voices Stages coming in at a ‘colossal’ 33% – the likes of Forbidden Fruit has just a miserly 16% female representation in its lineup.

The reasons for this gender imbalance remain unclear but it must be assumed that the festival organisers along with bookers & promoters, still hold an archaic view of festival going audiences ie. that despite the fact that some of the biggest selling global music artists are female (Rihanna, Taylor Swift, Beyonce) the public preference is for a male driven festival lineup.

With that in mind, let’s look at the current situation in Norway.  Of the acts that have dominated the Norwegian music charts over the past twelve months, the handful of indigenous artists have either been female – Aurora, Frokedal, Astrid S, Susanna Sundfor, Sigrid, Jenny Hval (the latter was the winner of the Phonofile Nordic Music Prize 2016 for her stunning album Blood Bitch) – or female centric – Highasakite, Slotface.  Norwegian, indeed most Scandi music festivals, are crammed with female talent – one look at the Trondheim Calling, by:Larm & Oya programmes for the past few years will tell you all you need to know about Nordic gender balance.  Female headliners – not a problem.

So, who are the special ones? The female chosen few who’ve managed to secure much sought after places in the ranks of the festival lineup elite.

FORBIDDEN FRUIT (3-5 June, RH Kilmainham) : PROMOTERS, POD – TOTAL ACTS 25, OF WHICH FEMALE 4 — 16%

So far, of the acts announced for FF only 4 – yes FOUR – are female and/or have core female members.  Now four isn’t bad, in comparison with last year’s two, we say without an ounce of sarcasm.  In fact yoy FF seem to be actually doubling their female constituent parts, that number rising from 1 to 2 to 4, so that next year we should expect a ‘great eight’, no?

The Forbidden Fruit Four are – Lisa Hannigan, The Staves, Peggy Gou and Nao.  Not a sniff of female in the headliners Orbital, Aphex Twin, Bon Iver or even amongst the top support acts, Booka Shade, Nicolas Jaar, Flying Lotus.  Hannigan is as good as it gets in the ‘chain of command’.

LONGITUDE (14-16 July, Marlay Park) : PROMOTERS, MCD – TOTAL ACTS 47, OF WHICH FEMALE 12 — 25%

The ‘penthouse’ at Longitude is ‘so macho’ as to be disquieting where the top four tiers are filled solely by male acts.  Headliners include Stormzy, The Weeknd and Mumford & Sons, none with so much as a feminine squeak.  Interestingly, The Weeknd’s other half, Selena Gomez, has the globe’s biggest social media following, clocking up a gargantuan 119m followers.

Be that as it may, here are the results of the Longitude jury – Jorja Smith, Dua Lipa, HVOB, Karen Elson, Lucy Rose, Bitch Falcon, Raye, Sunflower Bean, Aine Cahill, Her, Ray Blk and Norwegian newbie Sigrid.  This year’s distinguished dozen represents a 140% uplift on the 2016 lineup which featured a measly five female artists.  Notwithstanding the large % increase, the figure itself remains paltry at best.

ELECTRIC PICNIC (1-3 Sept, Stradbally) : PROMOTERS, FESTIVAL REPUBLIC – TOTAL ACTS 42, OF WHICH FEMALE 14 — 33%

Top of the Festival Pops, Electric Picnic also tops all others when it comes to female inclusion – but hardly by a noteworthy margin.  Featuring 14 female artists out of a possible 42 acts lined up to play their main stage plus Other Voices, EP2017 is still lagging way behind the national male:female ratios or Scandi fest averages.

Strip out the male centric acts and you’re left with a female inclusive lineup that looks as follows – The XX, Chaka Chkan, London Grammar, Annie Mac, The Pretenders, Phantogram, All We Are, Kelly Lee Owens, Goat Girl; [Other Voices] Saint Sister, Odetta Hartman, Loah, Katie Laffan, Soule.

Big up to EP for the number of Irish females included in this year’s mix but by the same token, a festival as ginormous and important as EP that prides itself as being a leader in terms of diversity and eclecticism should surely, be leading the way in terms of gender parity.  Kudos for having The XX and Chaka Khan on the top rungs of the lineup ladder, but they still only make up 1/3 of the overal top 6 acts featured in this year’s programme.

While it would be easy to lay the blame at the feet of the ticket buying public, frankly in this day and age, that age-old excuse doesn’t quite cut it any longer.  The fact is that in the industry itself there are several women at the top of their game – Jo Whiley, Jenny Greene, Annie Mac, Edith Bowman. In addition, there is a large cohort of female artists dominating music on a global scale – Ariana Grande, Demi Lovato, Adele, Selena Gomez, Sia, Carrie Underwood – all of whom are listed in the Top 30 best selling music artists of 2016.  So, saying that women no longer ‘own it’ in a male-dominated industry, is quite frankly, bull.

In an age where women’s voices are getting louder AND being heard, what is it about the Irish Festival scene that appears to be turning both a blind eye and deaf ear to the growing trend of peer to peer, gender to gender equality within the universal music industry.  Frankly Ireland, it’s not good enough.  If we can look to Scandinavia as role models for matters of health and education, and if we are happy to be lead by their example, then similarly we can follow in their footsteps when it comes to equality of status, positioning and recompense when it comes to all things music.

The current trend won’t undergo any seismic shift unless bookers and promoters ‘woman up’ and start putting some serious effort into including more female artists in the lineups of our biggest festivals.  Come on Ireland! Let’s starting putting the ‘equality’ into the gender equality we speak so much of! As the song goes, let’s get the balance right.

To celebrate some of the female acts playing this Summer’s Irish Festivals, we’ve run up a Females for Festivals playlist over on Spotify! Enjoy!!

Is Charlotte Church’s Pop Dungeon The New Rocky Horror?

Not since the walls of every venue in the land echoed with the rousing chorus of ‘Time Warp’ have we witnessed such a frenzied response to an on-stage production, one which many music snobs would deem more ‘70s kitsch than ‘George & Mildred’, the Cinzano ad series and Sweet put together!

Viewed from a distance Charlotte Church’s Pop Dungeon is like Multi-Coloured Swap Shop meets Rainbow for drag queens, but on closer inspection this is an altogether cleverer concept than one might at first realise.  Set against a backdrop of the glam era that manifested itself throughout British popular culture in the ’70s, Church allows her concept to come into being. The catalyst for this ‘kitschella’ seems to have been the singer’s desire to steer her career in the direction of a “be true to thine own (unconventional) self” approach, one which sees the ‘fun-factor’ dial up turned up to the max.

Recently, that close-up pleasure was all mine, when the former ‘Voice of an Angel’ now trading as the Dominatrix of the Dungeon Dimensions (my term, not hers) brought her rainbow hued sparklefest to Dublin.

A sparse and pretty diverse early crowd soon blossomed into a heaving swarm of Church acolytes for what was to become an extravaganza of the weird and wonderful delivered “in the best possible taste” as Cupid Stunt, creation of the late Kenny Everett would say.  In fact, if Everett were still alive I have no doubt he’d be up front centre, if not on-stage, lapping up every delicious second of this glam rock meets vaudeville spectacular.

Pop Dungeon is a vibrant, melting pot of cover songs morphed, reshaped, and segued in the most breathtakingly innovative ways; perfectly synced mash-ups, of disparate songs, which only the keenest of creative minds and sharpest of musical ears could re-imagine. Its set-list is a colourful riot, a neon-bright, eclectic pick ‘n mix of indie, 80s, disco, rap, rock anthems and off the wall oddities, which on paper, does not and should not work. But it does, and bloody wonderfully at that!

On the night, Talking Heads’ Burning Down The House comes hot on the heels of Nelly’s Hot in Herre, while Trousersnake parleys with Thom during a Cry Me/ParAndroid muddle.  The Edwin Starr classic soul banger War is given full turbo treatment while Missy Elliot is treated with all the funked up respect she deserves.  “We’re a democracy here in Pop Dungeon” coos the singer as she passes the baton to her choir of ‘Charlie’s Angel’s who in turn perform lush covers of everything from M.I.A to Rage Against The Machine.

Set highlights include two Beyoncé numbers, an En Vogue cover and two Prince homages, the latter of which is a stunning rendition of Diamonds & Pearls, which Church morphs into a magnificent operatic scale-sweeper as she effortlessly traces the theme tune to E.T. . A performance so magical it renders speechless, an otherwise rambunctious crowd.

The handful of times when Church lets her former opera-star self come to the fore are without doubt some of the most spectacular elements of this multi-dimensional megamix.  At her subtlest, on 10CC’s I’m Not In Love and encore opener Hide & Seek, she is possibly at her most quietly triumphant.

Going to see Pop Dungeon isn’t just like attending any other gig.  This is an high quality, off the radar innovative and beyond-Bolt dynamic carnivale of entertainment, performed by a ten-strong troupe of extremely colourful, enthusiastic and talented artists who by all accounts, have a wonderful chemistry and marvellous rapport.

And, might I also point out, that Pop Dungeon are possibly the friendliest on-stage artists I have ever come across – their constantly smiling, happy interaction with the crowd was something I have never previously witnessed! Kudos!

Pop Dungeon is leading the ‘karaoke’ zeitgeist with Church turning the crime f.k.a ‘cover versions’ into a professional ‘coverfest’ that has the potential to become the next big thing. An unorthodox creation that Charlotte Church has taken and made her own, it is a project with which she has undeniably proven herself as innovator, arranger and producer.  It is not beyond this audacious Welsh woman to up the ante, and upscale to a full bells and whistles ‘grand production’, a Cirque du Soleil of the music world, brimful of fascinating wonders and wildly creative goings on.

In many ways, with its kitsch glamour and innovative wackiness, Pop Dungeon is the Rocky Horror Show of the 21st century. Like its cult musical predecessor, it has all the outré sensibilities, off-the-wall ingenuity and addictive magnetism required to gain a global cult following.

An all-out camp creative triumph, a critical and one would hope commercial success, Pop Dungeon has put Charlotte Church back to the fore of modern pop-culture where she belongs. All hail Queen “Charlotte, Charlotte, Charlotte, fucking Church”.

Pop Dungeon tours until 12 May – check here for details.

DervSwerve