Today we are introducing Snøskred, an upcoming four-piece from Norway. They hail from Trondheim,  Norwegian music mecca and home of rock, and comprise Karl Klaseie (vocal/guitar),  Lars Ove Fossheim (vocal/guitar), Martin Hvidsten Berger (bass) and Kyrre Laastad, (drums).

Snøskred are signed to indie label, Riot Factory, and it was through RF sub-label, Sad Songs for Happy People, that they released their domestic debut album, Whiteout, in late 2012.  Recorded in Greener Studios, Trondheim, the album was self-produced with the help of Gold Celeste frontman, Simen Hallset.  Two singles, Come Closer and We Are (7″) were warmly received with the album itself being hailed as one of the best indie releases of the year.

Much touring, gigging, projects, writing, and recording later, September 2015 saw Snøskred release ‘Puzzle’, the lead track from their long awaited international debut album, ‘Empty House’ which they started recording in June 2014, again in Greener, and which is due for release 19th February coming.


In advance of the album launch, the band have just dropped new single ‘Lexington Hotel’ about which lyricist, Karl Klaseie explains:

‘Lexington Hotel’ came to me in a dream after a late night viewing of Scarface. I was in the middle of a mobster shakedown and woke up thoroughly confused and sweaty.”

Lexington Hotel


Louche, I think is the word I’d use to describe this track; a slow, sexy, languidly louche sonic strut.  Actually, it doesn’t so much strut, as undulate, to the provocative rhythm of its sensual pulse.

Fraught with tense, menacing, guitars, and blackened by moody, cavernous basslines, the lingering instrumental is an atmospheric slow-burn. Martin Hvidsten Berge’s bass peripatetics wholly underpin this track – a musical marvel to behold on this doom-laden composition – its dark, heavy, syrupy sound transudes through tremolo heavy walls of grinding guitars.

Kudos to Kyrre Laastad for some very cleverly arranged percussion including some lovely, lazy conga/batá beats. Actually, the sync between the RS is tighter than tight, thereby adding to the songs intensity by making it feel somewhat claustrophobic.

Conversely, the chorus is something of a release, coming like a breath of fresh air after the stifled atmosphere of the verse. Warm melodic Kraut-country lines lift the mood, with some gorgeous, shimmering guitar sequences from Lars Ove Fossheim, giving memorable if momentary relief.   And so it plays out, long stretches of dark, brief flashes of light, which lead into a final electronic fuelled thrum that gives the track an interesting if unexpected close.

The vocal has Damon Albarn stamped all over it, with vocalist Karl Klaseie having that same Albarn-esque way of letting the vocal slip effortlessly from his lips – languorous, subtly playful, and nonchalantly cool.

Timing is everything and Snøskred’s is impeccable: the arrangement is timed to perfection, thereby ensuring maximum effect.  Highly imaginative, exceptionally well mixed, arranged with pinpoint accuracy, and very perceptively produced, this is an extremely unique and very strong track that hopefully gives a pretty clear indication of what is to come on the album.

A rich, sticky ooze of dark toxicity, ‘Lexington Hotel’ lures, captivates and holds you in the thrall of its highly potent and dangerously addictive nature.  You are left longing for more …

Snøskred play two live sets during  the Trondheim Calling Festival, the first on Thursday 4th at Moskus 23.00, the second on Friday 5th at Olavshallen Lille Sal 23.30, details here – http://trondheimcalling.no/artister/sn%C3%B8skred/

‘Lexington Hotel‘ is available to stream via Spotify and to download via Amazon.  It is also available via Bandcamp.  The album, ‘Empty House’ is scheduled for release via Riot Factory, on 19th February.  You can follow Snøskred on Facebook and Twitter.


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